14 THE FOUNDER’S PARADOX

OF THE SIX PEOPLE who started PayPal,  four had built bombs in high school. Five were just 23 years old—or younger. Four of  us had been born outside the United States. Three had escaped here from communist countries: Yu  Pan from China, Luke Nosek from Poland, and Max Levchin from Soviet Ukraine. Building bombs was  not what kids normally did in those countries at that time.  The six of us could have been seen as eccentric.  My first-ever conversation with Luke was about how he’d just signed up for cryonics, to be frozen  upon death in hope of medical resurrection. Max claimed to be without a country and proud of it:  his family was put into diplomatic limbo when the  USSR collapsed while they were escaping to the  U.S. Russ Simmons had escaped from a trailer park to the top math and science magnet school in  Illinois. Only Ken Howery fit the stereotype of a privileged American childhood: he was PayPal’s  sole Eagle Scout. But Kenny’s peers thought he was crazy to join the rest of us and make  just one-third of the salary he had   been offered by a big bank. So even he wasn’t entirely normal. The PayPal Team in 1999 Are all founders unusual people? Or do we just tend to remember and exaggerate whatever is most unusual about them? More important, which personal traits actually matter in a founder? This chapter is about why it’s more powerful but at the same time more dangerous for a company to be led by a distinctive individual instead of an   interchangeable manager.

THE DIFFERENCE ENGINE 

Some people are strong, some are weak, some are  geniuses, some are dullards—but most people are in the middle. Plot where everyone  falls and you’ll see a bell curve: Since so many founders seem to have extreme  traits, you might guess that a plot showing only founders’ traits would have fatter  tails with more people at either end.  But that doesn’t capture the strangest thing about  founders. Normally we expect opposite traits to be mutually exclusive: a  normal person can’t be both   rich and poor at the same time, for instance. But it happens all the time to founders: startup CEOs can be cash poor but millionaires on paper. They may oscillate between sullen jerkiness and appealing charisma. Almost  all successful entrepreneurs  are simultaneously insiders and outsiders. And  when they do succeed, they attract both fame and infamy. When you plot them out, founders’ traits  appear to follow an inverse normal distribution: Where does this strange and extreme combination  of traits come from? They could be present from birth (nature) or acquired from an individual’s  environment (nurture). But perhaps founders aren’t really as extreme as they appear.  Might they strategically exaggerate   certain qualities? Or is it possible that everyone else exaggerates them? All of these effects  can be present at the same time, and  whenever present they powerfully  reinforce each other. The cycle usually starts with unusual people and ends with them acting and seeming   even more unusual: As an example, take Sir Richard Branson, the billionaire  founder of the Virgin Group. He could be  described as a natural  entrepreneur: Branson started his first business at age 16, and at just 22 he founded Virgin Records. But other aspects of his renown—the trademark lion’s mane hairstyle, for example—are less natural: one suspects he wasn’t born with that exact look. As Branson has cultivated his other extreme traits (Is kiteboarding with naked  supermodels a PR stunt? Just a guy  having fun? Both?), the media has eagerly  enthroned him: Branson is “The Virgin King,” “The Undisputed King of PR,” “The King of Branding,”  and “The King of the Desert and Space.” When Virgin Atlantic Airways began serving passengers  drinks with ice cubes shaped like Branson’s face, he became “The Ice King.” Is Branson just a normal businessman who happens   to be lionized by the media with the help of a good PR team? Or is he himself a born branding genius rightly singled out  by the journalists he is so  good at manipulating? It’s  hard to tell—maybe he’s both. Another example is Sean Parker, who started out  with the ultimate outsider status: criminal. Sean was a careful hacker in high  school. But his father decided   that Sean was spending too much time on the computer for a 16-year-old, so one day he took away Sean’s keyboard mid-hack. Sean couldn’t log out; the FBI noticed; soon federal agents were placing him under arrest. Sean got off easy since he was   a minor; if anything, the episode  emboldened him. Three years later, he co-founded Napster. The peer-to-peer  file sharing service amassed 10 million   users in its first year, making it one of the fastest-growing businesses of all  time. But the record companies sued and a  federal judge ordered it shut down 20 months after  opening. After a whirlwind period at the center, Sean was back to being an outsider again. Then came Facebook. Sean met Mark Zuckerberg in 2004, helped negotiate Facebook’s first funding, and became the company’s founding president. He had to step  down in 2005 amid allegations of drug use, but this only enhanced his notoriety.  Ever since Justin Timberlake portrayed him in The Social Network, Sean has been perceived as one of  the coolest people in America. JT is still more famous, but when he visits Silicon  Valley, people ask if he’s Sean Parker. The most famous people in the world are founders,  too: instead of a company, every celebrity founds and cultivates a personal brand. Lady Gaga,  for example, became one of the most influential living people. But is she  even a real person? Her real   name isn’t a secret, but almost no one knows or cares what it is. She wears costumes so bizarre as to put any other wearer at risk of an involuntary psychiatric hold. Gaga would have you believe that she was “born this way”—the title of both her second album and its lead track. But no one is born looking like a zombie  with horns coming out of  her head: Gaga must therefore  be a self-manufactured myth. Then again, what kind of person would do this to herself? Certainly nobody normal. So perhaps Gaga really was born that way.

WHERE KINGS COME FROM 

Extreme founder figures are not  new in human affairs. Classical   mythology is full of them. Oedipus is the paradigmatic insider/outsider: he was abandoned as an infant and  ended up in a foreign land, but  he was a brilliant king and smart enough  to solve the riddle of the Sphinx. Romulus and Remus were born of royal blood  and abandoned as orphans. When they discovered their pedigree, they decided to found a city. But  they couldn’t agree on where to put it. When Remus crossed the boundary that Romulus had decided  was the edge of Rome, Romulus killed him, declaring: “So perish every  one that shall hereafter leap   over my wall.” Law-maker and law-breaker, criminal outlaw and king who defined Rome, Romulus was a self-contradictory insider/outsider. Normal people aren’t like Oedipus or Romulus. Whatever those individuals were actually like in life, the mythologized versions of them remember only the extremes. But why was it so important for archaic cultures to remember extraordinary people? The famous and infamous have always served as  vessels for public sentiment: they’re praised amid prosperity and blamed for misfortune. Primitive  societies faced one fundamental problem above all: they would be torn apart by conflict if they  didn’t have a way to stop it. So whenever plagues, disasters, or violent rivalries threatened  the peace, it was beneficial for the   society to place the entire blame on a single person, someone everybody could agree on: a scapegoat. Who makes an effective scapegoat? Like founders, scapegoats are extreme and contradictory figures. On the one hand, a scapegoat is necessarily weak; he is powerless to stop his own victimization. On the other hand, as the one who can defuse conflict by taking the blame, he is the most powerful member of the community. Before execution, scapegoats were often worshipped  like deities. The Aztecs considered their victims to be earthly forms of the gods to whom  they were sacrificed. You would be dressed in fine clothes and feast royally until  your brief reign ended and they   cut your heart out. These are the roots of monarchy: every king was a living god, and every god a murdered king.  Perhaps every modern king  is just a scapegoat who has  managed to delay his own execution.

AMERICAN ROYALTY

Celebrities are supposedly “American royalty.” We even grant  titles to our favorite performers: Elvis Presley was the king of rock. Michael Jackson  was the king of pop. Britney Spears was the pop princess. Until they weren’t. Elvis self-destructed in the   ’70s and died alone, overweight, sitting on his toilet. Today, his impersonators are fat and sketchy, not lean and cool.  Michael Jackson went from  beloved child star to an erratic,  physically repulsive, drug-addicted shell of his former self; the world reveled in the details of his   trials. Britney’s story is the most  dramatic of all. We created her from nothing, elevating her to superstardom as  a teenager. But then everything fell off the tracks: witness the shaved head,   the over- and under-eating scandals, and  the highly publicized court case to take away her children. Was she always a little  bit crazy? Did the publicity just get to   her? Or did she do it all to get more? For some fallen stars, death brings resurrection.  So many popular musicians have died at age 27 —Janis Joplin, Jimi Hendrix, Jim Morrison, and  Kurt Cobain, for example—that this set has become immortalized as the “27 Club.” Before she joined  the club in 2011, Amy Winehouse sang: “They tried to make me go to rehab, but I said, ‘No, no, no.’  ” Maybe rehab seemed so unattractive because it blocked the path to immortality. Perhaps the only  way to be a rock god forever is to die an early death. We alternately worship and despise technology   founders just as we do celebrities. Howard Hughes’s arc from fame to pity is the most dramatic of any 20th-century  tech founder. He was born  wealthy, but he was always more  interested in engineering than luxury. He built Houston’s first radio transmitter at the age of 11. The   year after that he built the city’s  first motorcycle. By age 30 he’d made nine commercially successful movies at a  time when Hollywood was on the technological  frontier. But Hughes was even more famous for his  parallel career in aviation. He designed planes, produced them, and piloted them himself. Hughes  set world records for top airspeed, fastest transcontinental flight, and  fastest flight around the world.  Hughes was obsessed with flying  higher than everyone else. He liked to remind people that he was a mere mortal, not a Greek god—something   that mortals say only when they want to invite comparisons to gods. Hughes was “a man to whom you cannot apply the same standards as you can to you and me,” his lawyer once argued in federal court. Hughes paid the lawyer to say that, but according to the New York Times there was “no dispute on this point from judge or jury.” When Hughes was awarded the Congressional Gold Medal in 1939 for his achievements in aviation, he didn’t even show up to claim it—years later President Truman found it in the White House and mailed it to him.  The beginning of Hughes’s end came in 1946, when  he suffered his third and worst plane crash. Had he died then, he would have been remembered  forever as one of the most dashing and successful Americans of all time. But he survived—barely.  He became obsessive-compulsive, addicted to painkillers, and withdrew from the public to spend  the last 30 years of his life in self-imposed solitary confinement. Hughes  had always acted a little crazy,   on the theory that fewer people would want to bother a crazy person. But when his crazy act turned into a  crazy life, he became an object of pity as much as awe. More recently,   Bill Gates has shown how highly visible  success can attract highly focused attacks. Gates embodied the founder archetype:  he was simultaneously an awkward   and nerdy college dropout outsider and  the world’s wealthiest insider. Did he choose his geeky eyeglasses strategically, to build up a distinctive persona? Or, in his incurable nerdiness, did  his geek glasses choose him? It’s  hard to know. But his dominance was undeniable:  Microsoft’s Windows claimed a 90% share of the market for operating systems in 2000. That year  Peter Jennings could plausibly ask, “Who is more important in the world today: Bill Clinton or  Bill Gates? I don’t know. It’s a good question.” The U.S. Department of Justice didn’t limit  itself to rhetorical questions; they opened an  investigation and sued  Microsoft for “anticompetitive conduct.” In June 2000 a court ordered that Microsoft be broken apart. Gates had stepped down as CEO of Microsoft six months earlier, having been forced to spend most of his time responding to legal threats instead  of building new technology.  A court of appeals later overturned the breakup  order, and Microsoft reached a settlement with the government in 2001. But by then Gates’s enemies  had already deprived his company of the full engagement of its founder,  and Microsoft entered an era   of relative stagnation. Today Gates is better known as a philanthropist than a technologist.

THE RETURN OF THE KING

Just as the legal attack on Microsoft was ending Bill Gates’s  dominance, Steve Jobs’s return to Apple demonstrated the irreplaceable  value of a company’s founder.   In some ways, Steve Jobs and Bill Gates were opposites. Jobs was an artist, preferred closed systems, and  spent his time thinking about  great products above all  else; Gates was a businessman, kept his products open, and wanted to run the world. But both were insider/outsiders, and both pushed the companies they started to achievements that nobody else would have been able to match. A college dropout who walked around barefoot  and refused to shower, Jobs was also the insider of his own personality cult. He  could act charismatic or crazy,   perhaps according to his mood or perhaps according to his calculations; it’s hard to believe that such weird practices as apple-only diets weren’t part of a larger strategy. But all this eccentricity backfired  on him in 1985: Apple’s  board effectively kicked Jobs out of his own  company when he clashed with the professional CEO brought in to provide adult supervision. Jobs’s return to Apple 12 years later shows how the most important task in business—the creation of new value—cannot be reduced to a formula and applied by professionals. When he was hired as interim CEO of Apple in 1997, the impeccably credentialed executives who preceded him had steered the company nearly to bankruptcy. That   year Michael Dell famously said of Apple, “What would I do? I’d shut it down and give the money back to the shareholders.” Instead Jobs introduced the iPod (2001), the iPhone (2007), and the iPad (2010) before he had to resign in 2011 because of poor health. By the following year Apple was the single most valuable company in the world. Apple’s value crucially depended on the singular vision of a particular person. This hints at the strange way in which the companies that create new technology often resemble feudal monarchies rather than organizations that are supposedly more “modern.” A unique founder can make authoritative decisions, inspire strong personal loyalty, and plan ahead  for decades. Paradoxically,  impersonal bureaucracies staffed  by trained professionals can last longer than any lifetime, but they usually act with short time horizons. The lesson for business is that we need founders.  If anything, we should be more tolerant of founders who seem strange or extreme; we need  unusual individuals to lead companies beyond mere incrementalism. The lesson for   founders is that individual prominence  and adulation can never be enjoyed except on the condition that it may be exchanged  for individual notoriety and demonization   at any moment— so be careful. Above all, don’t overestimate your own power  as an individual. Founders are important not because they are the only  ones whose work has value,   but rather because a great founder can bring out the best work from everybody at his company. That we need individual founders in all their peculiarity does not mean that we are called to   worship Ayn Randian “prime movers” who claim to be independent of everybody around them. In this respect Rand was a merely half-great writer: her villains were real, but her heroes were fake. There is no Galt’s Gulch.  There is no secession from  society. To believe yourself invested with divine  self-sufficiency is not the mark of a strong individual, but of a person who has mistaken the  crowd’s worship—or jeering—for the truth. The single greatest danger for a founder is to become  so certain of his own myth that he loses his mind. But an equally insidious danger for every  business is to lose all sense of myth and mistake disenchantment for wisdom.

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13 SEEING GREEN

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Conclusion  STAGNATION OR SINGULARITY?